After a successful launch in 2014, Writing Day Workshops is excited to announce The 2019 Arizona Writing Workshop — a full-day “How to Get Published” writing event in Phoenix, AZ, on November 23, 2019.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (150 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2019 Arizona Writing Workshop!
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, November 23, 2019, at the Sheraton Phoenix Downtown. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s faculty so far includes:
- literary agent Carlie Webber (Fuse Literary)
- literary agent Renee Nyen (KT Literary)
- literary agent Alyssa Roat (CYLE Literary)
- and possibly more agents to come.
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops, with help from local writing groups.
THIS YEAR’S PRESENTER/INSTRUCTOR
Brian A. Klems (@BrianKlems) is the former online editor of WritersDigest.com. His blog during his tenure there, The Writer’s Dig—which covered everything writing and publishing—was one of the largest blogs in the writing community. Brian’s first book, Oh Boy, You’re Having a Girl: A Dad’s Guide to Raising Daughters (Adams Media) was released in 2013. It received high-level buzz and praise from some of the funniest writers alive, including Dave Barry and Bruce Cameron. Brian is also a proud graduate of the Ohio University E.W. Scripps School of Journalism, a husband, softball infielder, perennial fantasy sports underachiever, and father of three lovely little girls.
EVENT LOCATION & DETAILS
9:30 a.m. – 5:00 p.m., Saturday, November 23, 2019, at the Sheraton Phoenix Downtown, 340 N 3rd St, Phoenix, AZ 85004. (602)262-2500.
WORKSHOP SCHEDULE & INSTRUCTORS (NOV. 23, 2019)
9 – 9:30: Check-in and registration at the event location.
9:30 – 10:30: “A Bird’s-eye View Publishing & Books in the Year 2019.” This workshop is quick & easy overview of the publishing industry today, and how it’s changing. The speech is designed to educate writers and help them understand what publishing options exist for them today and why it’s an exciting time to be a writer.
10:30 – 11:45: “Tips on How to Write Like the Pros.” This workshop is a thorough crash course concerning craft, style and voice. We’ll discuss nuts & bolts tips for sentence construction like how to avoid passive tense, how to use vivid language, how to self-edit your own work, how to make your characters memorable, the art of compelling dialogue, and much more.
11:45 – 1:15: Lunch on your own. There are several restaurants within quick driving distance on the block.
1:15 – 2:30: “Writers’ Got Talent: A Page One Critique-Fest.” In the vein of American Idol or America’s Got Talent, this is a chance to get your first page read (anonymously — no bylines given) with our 4 attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)
2:50 – 4:00: “25 Questions You Need Answered Before You Seek an Agent or Self-Publish Your Book.” Before you publish your work or query an agent, there are plenty of things you need to know — such as how to submit to agents properly, how to find the best self-publishing service for your need, what social media channels you should be on already, how to launch your book right, how to draft a compelling query/pitch and synopsis, how to find other writers who can help you, and much more.
4:00 – 5:00: “25 Questions You Need Answered After You Seek an Agent or Self-Publish Your Book.” After you self-publish your work or get a traditional publishing book deal, there are plenty of things you need to know — such as how to promote yourself, how to keep your career going with multiple books, how you cross between the worlds of self-publishing and traditional publishing (i.e., use them both) to make the most money, how to build a readership, and much more.
All throughout the day: Agent & Editor Pitching.
PITCH AN AGENT!
Carlie Webber is a literary agent with Fuse Literary. She represents fiction in the genres of: young adult, middle grade, new adult, women’s fiction, literary fiction, mainstream fiction, mystery, thriller, suspense, romance, science fiction, and fantasy. She does not want to rep picture books, easy readers, poetry, scripts or curriculum nonfiction. She no longer seeks nonfiction (or memoir) of any kind. Learn more about Carlie here.
Renee Nyen is a literary agent with KT Literary. She is seeking all kinds of middle grade and young adult fiction. Several years in the editorial department at Random House’s Colorado division provided Renee with the opportunity to work with bestselling and debut authors alike. After leaving Random House, she came to KT Literary in early 2013. She loves digging into manuscripts and helping the author shape the best story possible. Learn more about Renee here.
Alyssa Roat is a literary agent with CYLE Literary Elite. She is seeking: any kind of young adult (but especially fantasy and speculative), middle grade fiction (any kind), fantasy, women’s fiction, contemporary fiction, unique historical fiction, all kinds of children’s picture books (nonfiction or STEM elements are great), some nonfiction (large platform only), occasional Christian titles, and a rare thriller/mystery/suspense. Learn more about Alyssa here.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$169 — EARLY BIRD base price for registration to the 2019 AWW and access to all workshops, all day, on November 23, 2019. As of spring 2019, event registration for 2019 is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I met my client, Alison Hammer, at the 2017 Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary
“Good news! I signed a client [novelist Aliza Mann]
from the 2017 Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary
“I signed author Stephanie Wright from
the 2018 Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary
“I signed an author [Kate Thompson] that I
met at the 2017 Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary
“I signed novelist Kathleen McInnis after meeting her
at the 2016 Chesapeake Writing Workshop.”
– literary agent Adriann Ranta of Foundry Literary + Media
Add $69 — for an in-depth, personal critique of your one-page query letter from instructor Brian Klems. (This rate is a special event value for Arizona Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop.
- Literary/mainstream fiction, fantasy, science fiction, historical fiction, young adult (all kinds), mystery, thriller: Faculty member Douglas Lee, a former literary agent, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss his thoughts, and pass along written critique notes at the meeting. Douglas is a writer, developmental editor, and former literary agent at Kimberley Cameron & Associates. He is a writer from San Francisco, CA and holds an MFA in Fiction from the University of San Francisco, and a BA in English: Concentration in Creative Writing from San Francisco State University. As a writer, his focus is in the speculative genre. His short fiction has appeared in Dobles Vidas and as a double feature in Rude Bonsai: 1st Edition. (He prefers not to edit Christian, middle grade, picture books, or memoir.)
How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Arizona workshop specifically.
Because of limited space at the venue of the Sheraton Downtown Phoenix, the workshop can only allow 150 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The AWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Arizona workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments are completely non-refundable if the instructor has already edited your letter.)